This might be the shortest story of all time but I feel compelled to write something about the economy and how it has made a difference in the music industry. Well, maybe not as deep at the music industry in its entirety, but at least the selling of vinyl and hard to find David Bowie records.

This past weekend I found myself in Atomic Records in Milwaukee, WI buying records with a cool dude. I was obviously looking for anything with David Bowie on it and of course I found a 3-disc compilation of his “lost years” aptly named “David Bowie: Secrets of my Lost Years 1969-1973”. Holy Shit!

Needless to expand further upon, I was ecstatic.

Let me tell you something more exciting. It was $15.

Another tidbit of awesomeness, I found “ChangesThreeBowie” for $9. Bowied out? Never.

Here’s a cool video for you to enjoy featuring Mr. Bowie:

BY: Megan Hundley

Unaware that this gem of an album was being released this past week, I was happily surprised by stumbling upon The Goo Goo Dolls, Greatest Hits Vol. 2 at my friendly neighborhood Reckless Records! Not only are there 22 hard-to-find tracks on this wonder but there is also a DVD containing 24 of their videos (both live and just normal music videos!). Released on August 19, I apologize for my lapse in keeping up to date on all things that were popular in the ’90s. Needless to say I was overly excited, yet still strapped for cash. I certainly plan on picking up a copy after this coming Friday (pay day!) and then I can Goo my life up a little bit.

That sounded weird, but I’m keeping it. I rarely have these Tobias Funke moments so I am embracing it.

( Photo by Megan Hundley, The Goo Goo Dolls, El Yunque Rainforest, PR, February 2008 )

More tidbits about the 2-disc album are that you can find some of your favorite music videos from their well-known hits all the way to their newest releases. I’ve been trying to keep up with the GGD (for short) after seeing them this past February in El Yunque Rainforest in Puerto Rico. Yeah, I’ll attach some pictures from the show. It was UNREAL! John has quite the sense of humor that night that was vocalized when he told us to, “Watch out for the rabid monkeys”. Thanks for the tip.

I also was fortunate to meet them before the show and get a picture with them! But, this was all after I tripped and almost fell right in front of John Rzeznik. He caught me before I fell but I totally felt like a tron and you can tell by my awkward face in the picture. So, without further adieu, here are the pictures I promised…

(Me and the Goo Goo Dolls in El Yunque)

( Photos by Megan Hundley, The Goo Goo Dolls, El Yunque Rainforest, PR, February 2008 )

So, I suggest going, if not sprinting, out to the local record store (or just go on iTunes) and get this new album. I can’t wait to snag a copy of my very own and cherish it forever and ever. I might just frame it and put it up on my wall with my David Bowie vinyl records. We’ll see.

BY: Megan Hundley, 8.21.08

Throw every notion you already had about Bloc Party out the window. Intimacy, the newest album from this booming British band is a whole new side to their musical talents. With fresh lyrics, including a few more blatantly vulgar phrases, and a more techno sounding sheen covering said album it completely shows Bloc Party turning a new leaf. With no song less than 3 minutes long, get ready to be entertained!

With the jarring initial track “Ares” begins almost angelically and then dives right in to the synthetic guitar sounds and outstanding drum beat. Kele chimes in with the first words on the track, “War war war war!” Initially, I thought this song reminded me of how I feel when I’m intoxicated. A mish-mash of sounds, words and tones. It’s fun, it’s interesting and it’s worth revisiting.

Then comes the second track “Mercury” ( which I saw Bloc Party perform live just a few weeks ago at Lollapalooza ’08 ) which I can definitely see being remixed sometime in the near future. It’s repetitive and catchy and a jumble of many different sounds.

“When I saw them play [“Mercury”] at Lolla, I thought it didn’t sound anything like what they’ve done before,” commented John McGuire, when asked about his thoughts on their new sound.

Track three, “Halo”, might be my favorite on the album. From the beginning you just want to get up and dance, jump around on things and sing along with Kele as he asks you to “Paralyze [him] with your kiss”. I was really hooked on this song by the break down. What an amazing tune! You really just have to listen to it.

Let’s slow it down for a bit with track four, kids. “Biko” is an easy, flowing song that makes you want to be in love with someone. It’s a very encouraging tune that really makes you feel a lot of different strong emotions in a 5 minute span. With lyrics like, “Biko, toughen up/ I need you to be strong”, it really makes you think that it was written about a cornerstone in someone’s life. It really made me think about my life and what I find important.

Then there’s “Trojan Horse”, the song that sounds like a good song to speed down a freeway listening to. It’s fast, entertaining and emits a spirit of pure carelessness and a need for something new. It’s commanding and OH MY GOSH, the break down is insane. I was going to go back and erase what I said about “Halo” but both break downs are equally enticing.

Next, “Signs” takes you on a trip to somewhere completely different from the rest of the album. In all honesty, I thought I was going to Mr. Rodger’s house at the beginning of this song. That was until the song took flight into the picture that Kele is trying to paint for the listener. It’s a calming, slightly adorable song, that has an underlying tone of irony because Kele begins talking about someone’s funeral and then you literally just get lost in the soothing music.

( photo by Caroline Doerhoff, Bloc Party at The Pageant, St. Louis, MO, 2007 )

Seventhly (that’s a word now), we are presented with “One Month Off”. It’s a complete 180 from the previous song. The thick and juicy baseline catches your attention and refuses to release its grip. I was lying before when I said that “Halo” was my favorite song because “One Month Off” takes the cake. It has an interest message that really connects with many of today’s bigger issues ( war, corruption, etc.) and puts it into perspective, for me at least. This songs is chalked full of synth sounds!

Track eight, “Zepherus” sounds a little bit like “The Prayer” off of A Weekend in the City, but only for a brief moment. This epic song is very ghostly and it really sticks with you after you listen to it. The back-up singers really make this track so shockingly different from the rest of the album. The lyrics are full of emotion and intense, what I felt was, anguish. It sounds like they are looking back on a certain conversation that went awry in the past. Very thought provoking, if I do say so myself.

“Better than Heaven”, the ninth track on Intimacy, is in a class of its own. The set up for this song builds up anticipation for what is to come. It’s certainly a step up in tempo from the previous song but it is still slightly less energetic than the rest of the more dance-worthy songs. Again, this must be the album of intense break downs because just around the 3-minute mark, you are blown away by the way the song builds up to such an explosion of immense sounds.

To wrap up this digital release we have “Ion Square”. A piano brings us in to Kele’s slightly raspy yet loving voice and brings us into the meat of this song. With over six minutes to bring this album to a close this song does its job to a “t”. It’s not too loud, too soft (to be really lame and make a reference to “Goldilocks and the Three Bears”), it is just right. More words from the heart and experiences of the members of Bloc Party are scattered all through out this song. I just want to hug all of them when they sing, “I carry your heart/ here with me.”

I think that these four (Kele, Russell, Gordon and Matt) must have just sat around with distortion pedals and a synthesizer for a year and just threw their awesomeness on them because that’s all I can think about when I listen to this album. I’ve fallen even more in love with Bloc Party, if that was possible, after I listened to Intimacy. A very strong third album that will surely keep them going for many more amazing albums to come.

Publications Director, Megan Hundley, has an affinity for going to see movies that pretty much bomb. As per usual, she’s got an opinion and wanted to write about it. This time it is a movie review of “Funny Games”, a movie in which the music plays a fairly integral role in setting the mood/tone.

—–

Listening to nice, calming music on the radio and driving along a serene mountainous landscape on their way to a beautiful landscape. This is how the family in the American version of the film Funny Games begins their story. The viewer is certainly put in their place when the name of the movie is flashed on screen in bold red letters at the same time that an incredibly scary death metal song is played, which is actually the song “Bonehead” by Naked City. I certainly jumped in my seat since I went into this movie knowing only that it was about a family who is visited by some unwelcome visitors, wearing creepy white gloves and what looks like tennis outfits, at their lake house.


Upon further investigation into this seemingly interesting story, I find that this movie is supposed to depict of the way violence is portrayed in the media. My first question was: How is it possible for the same writer/director to make the carbon copy of his previous work within 10 years of one another, let alone at all? Welcome to the world of writer/director Michael Haneke. His latest movie, Funny Games, starring Naomi Watts, is the exact same movie that he made precisely 10 years prior with, oddly enough, the same name. The only differences between the two films are the cast and the language.
My mantra during this movie was literally: “What the hell is going on?!” As soon as one of the creepy white-clad boys came to the family’s house asking for eggs and acted immensely uncomfortable and unsure of himself, I knew insanely weird things were going to happen (as if the death metal song in the beginning credits didn’t give that away, right off the bat). One of the first disturbing occurrences that took place was the disappearance of the family dog, which we later find falling lifelessly out of the trunk of the family’s Range Rover in the driveway. Well kids, the terror did not stop there. From that point in the movie on, the all-white-wearing young men terrorized by playing “games” with the family. While these young men were extremely creepy, they were also very polite. With a plethora of pleasantries exchanged through out the film, they always asked the family nicely to do such atrocious things. It’s no surprise that the tag line of the movie is “It’s easier when things are polite”.
While the two young men are relentlessly torturing the family, they keep calling one another a handful of different names. For instance, when the young man in charge calls his counterpart “Tom,” he then becomes “Jerry;” and then when he calls his partner “Bevis,” he is then “Butthead.” These pairs are both, of course, cartoon characters in relatively modern America and are recognized by the general public rather easily. I can see from this why the movie may have been named Funny Games, but I find even that to be a stretch.
One of the most interesting things about the movie is the fact that the young man who was in charge of the homicidal mania that was this movie breaks the fourth wall on numerous occasions. Periodically, throughout the movie, he asks the audience questions and tells the audience things he is thinking. The most memorable breaking of the fourth wall happens at the end of the movie, when he simply stares the viewer in the eye and you immediately know what is going to happen from that point on.


While the movie did not end up the way I might have wanted to, it certainly made a great impact on me. I certainly do not ever want to let creepy young men wearing all white anywhere near me. I fear I might never play tennis again because of this movie. Thanks for taking yet another life sport away from me, Mr. Haneke.

I had, what I thought was, a wonderful idea! I was going to listen to an album that recently came out and then draw what I “saw” when I heard it. Well, here’s the result of that brilliance.

I guess it was more of a “free draw”, highly comparable to a free verse or one of those writing exercises where you can’t pick your pen up off the paper and you just write whatever comes to mind. That’s basically what I did except I had to pick my Sharpie up to change colors (or mediums when I used a pen).

Here’s what happened: I listened to Volume One by She & Him, the band that consists of Zooey Deschanel and M. Ward. Then I drew stuff on a piece of 8” x 11” computer paper. These are things that I thought of when I listened to their music. I hope Zooey and M don’t hate me now because I did this terribly awesome doodle.

Say what you will about my 21 year old attempt at drawing with permanent markers and a Paper<3Mate pen. I think it seriously rivals the Maddox kids drawings.

ROCK!